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That many audience members apparently mistook Lydia Tár for a real person to me says less about Tár‘s sharp verisimilitude and more about the degraded landscape of contemporary American cinema, where practically the only movies permitted to exist outside the Marvel Extended Universe are biopics. Still, the genius of Tár lies in its counterfactual hyperrealismContinue reading “who’s afraid of lydia tár?”

In the years leading up to World War II, many suffragettes became fascists. I don’t just mean that they harbored fascist sympathies, but that they continued to agitate for women’s emancipation as active members and leaders of fascist parties. Both the general presence of women in British fascism and the suffragette-to-fascist pipeline in particular areContinue reading “lesbian fascism on TERF island”

After my last post I joked (threatened) that I was going to start the blog off with an anality triptych and write about the first scene of The Argonauts or something. Instead this is about I May Destroy You, my third post about sexuality in contemporary women’s TV and the last one before I writeContinue reading “might trick me once”

For a long time I’ve been thinking about abject feminism. My working definition is that it is what happens when white cishet bourgeois women decide to refuse the limited sovereignty the world offers them and instead dig deeper into their own debasement, a gesture of ethical disengagement that ends up (re)producing harm—not least to thoseContinue reading “abject feminism”

In an essay published as part of Post45’s recent cluster on Sally Rooney, Claire Jarvis claims that the plot of Rooney’s novels is that “straight sex is not a disaster.” She writes: “Both Marianne and Connell find pleasure in their pretty straight, pretty conventional sex: they’ve tried other things, and they haven’t liked them asContinue reading “pretty straight, pretty conventional”